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      <image:title>Beluga 2012-2013</image:title>
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      <image:title>Beluga 2012-2013 - Beluga LUX 2013</image:title>
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      <image:title>Beluga 2012-2013 - IDEA_Perth 2012</image:title>
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    <loc>https://www.antnevin.com/lightbox-1-2009</loc>
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      <image:title>Lightbox 1 _Dublin 2009</image:title>
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      <image:title>Lightbox 2_Oslo 2009</image:title>
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      <image:title>Lightbox 2_Oslo 2009</image:title>
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      <image:title>Lightbox 2_Oslo 2009</image:title>
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      <image:title>Lightbox 2_Oslo 2009</image:title>
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      <image:title>Lightbox 2_Oslo 2009</image:title>
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      <image:title>Lightbox 2_Oslo 2009</image:title>
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    <loc>https://www.antnevin.com/ghost</loc>
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    <lastmod>2017-08-04</lastmod>
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      <image:title>Ghost 2015 _LUX</image:title>
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      <image:title>Ghost 2015 _LUX - Ghost_LUX 2015</image:title>
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      <image:title>Ghost 2015 _LUX</image:title>
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      <image:title>Ghost 2015 _LUX</image:title>
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      <image:title>Ghost 2015 _LUX</image:title>
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    <loc>https://www.antnevin.com/kraken</loc>
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    <lastmod>2017-08-04</lastmod>
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      <image:title>Kraken 2014 - Kraken_LUX 2014</image:title>
      <image:caption>Wellington LUX</image:caption>
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      <image:title>Kraken 2014</image:title>
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      <image:title>Kraken 2014</image:title>
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    <loc>https://www.antnevin.com/blown</loc>
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    <lastmod>2017-08-05</lastmod>
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      <image:title>Blown</image:title>
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      <image:title>Blown</image:title>
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      <image:title>Blown</image:title>
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      <image:title>Blown</image:title>
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      <image:title>Blown</image:title>
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    <loc>https://www.antnevin.com/lightningrod</loc>
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    <lastmod>2018-05-28</lastmod>
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      <image:title>Lightning Rod 2018</image:title>
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      <image:title>Lightning Rod 2018 - Lightning Rod</image:title>
      <image:caption>Wellington LUX 2018</image:caption>
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      <image:title>Lightning Rod 2018 - Red Jacket and Lightning Rod</image:title>
      <image:caption>Lux May 2018</image:caption>
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      <image:title>Lightning Rod 2018 - Lightning Rod</image:title>
      <image:caption>Lightning Rod at LUX day one, after the rebuild ( Its a long story)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1526982374057-DVKVYIVS1DB7J3J41UPQ/IMG_0857.JPG</image:loc>
      <image:title>Lightning Rod 2018 - Lightning Rod</image:title>
      <image:caption>Wellington LUX</image:caption>
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    <image:image>
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      <image:title>Lightning Rod 2018</image:title>
      <image:caption>Lux may 2018 , wellington NZ</image:caption>
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      <image:title>Lightning Rod 2018</image:title>
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      <image:title>Lightning Rod 2018 - Lightning Rod Visualisation</image:title>
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      <image:title>Lightning Rod 2018 - Lightning Rod Visualisation</image:title>
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    <loc>https://www.antnevin.com/teaching</loc>
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    <priority>0.75</priority>
    <lastmod>2018-05-31</lastmod>
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      <image:title>Teaching - Pom and Pom</image:title>
      <image:caption>Student project from “LUX” course I coordinate and teach at the School of Design, Massey University, NZ.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1527643463831-TVDFHBSCVQXBH7ZSAOAQ/pomand+pom.jpg</image:loc>
      <image:title>Teaching - Pom and Pom</image:title>
      <image:caption>Student project from “LUX” course I coordinate and teach at the School of Design, Massey University, NZ.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1527644021238-CPLA26DM3CDO9IKN57Z4/Screen+Shot+2018-05-30+at+1.28.43+PM.png</image:loc>
      <image:title>Teaching</image:title>
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      <image:title>Teaching</image:title>
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      <image:title>Teaching</image:title>
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    <image:image>
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      <image:title>Teaching</image:title>
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    <image:image>
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      <image:title>Teaching</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1527644169572-FTCQ3UH1KA1T133QRDK1/Screen+Shot+2018-05-30+at+1.27.00+PM.png</image:loc>
      <image:title>Teaching</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1527644057549-CAUKUJTSHY46OR1C5IYE/Screen+Shot+2018-05-30+at+1.25.56+PM.png</image:loc>
      <image:title>Teaching</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1527644181132-9R4D8YUIP4207Q59TPJL/Screen+Shot+2018-05-30+at+1.27.39+PM.png</image:loc>
      <image:title>Teaching</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1527646828256-NI4K8W0BX24R1GESR6SR/fullsizeoutput_394b.jpeg</image:loc>
      <image:title>Teaching</image:title>
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    <loc>https://www.antnevin.com/tangled</loc>
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    <priority>0.75</priority>
    <lastmod>2020-12-15</lastmod>
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      <image:title>Tangled_2019 - Tangled at Prague Quadriennal 2019</image:title>
      <image:caption>Heading out to the wild at PQ 2019. The 14th edition of Prague Quadrennial of Performance Design and Space, (the largest international festival of theater and stage design), took place from June 6 to 16, 2019 at Výstaviště Praha (Prague Exhibition Grounds).</image:caption>
    </image:image>
    <image:image>
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      <image:title>Tangled_2019 - Tangled at Prague Quadriennal 2019</image:title>
      <image:caption>Heading out to the wild at PQ 2019. The 14th edition of Prague Quadrennial of Performance Design and Space, (the largest international festival of theater and stage design), took place from June 6 to 16, 2019 at Výstaviště Praha (Prague Exhibition Grounds).</image:caption>
    </image:image>
    <image:image>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019 - Tangled</image:title>
      <image:caption>Render side view</image:caption>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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      <image:title>Tangled_2019</image:title>
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  <url>
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    <lastmod>2024-09-10</lastmod>
    <image:image>
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      <image:title>home</image:title>
      <image:caption>The Materialised Temporality of Dust - exhibiting at @arselectronica2024.How can we experience the history of a site from a microbial perspective? The first phase of this project seeks to explore that question through an immersive VR and spatial sound experience, inviting audiences to delve into the RCA’s Kensington Campus through the lens of microbial life. Against the backdrop of a site previously subjected to dust sampling, this project contributes to the concept of the pluriverse—a world of many worlds—by reimagining the campus as a living tapestry shaped by non-human temporalities. The Materialised Temporality of Dust Dr Carolina Ramirez-Figueroa (MX), Antony Nevin (NZ), Campbell Orme (UK), Laura Selby (UK) and Neil Aldridge (NZ)</image:caption>
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      <image:title>home - The Materialised Temporality of Dust</image:title>
      <image:caption>The Materialised Temporality of Dust - exhibiting at @arselectronica 2024.How can we experience the history of a site from a microbial perspective? The first phase of this project seeks to explore that question through an immersive VR and spatial sound experience, inviting audiences to delve into the RCA’s Kensington Campus through the lens of microbial life. Against the backdrop of a site previously subjected to dust sampling, this project contributes to the concept of the pluriverse—a world of many worlds—by reimagining the campus as a living tapestry shaped by non-human temporalities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1725857696623-QM2KS1L4I5WW7TF9GAT7/image-asset.jpg</image:loc>
      <image:title>home</image:title>
      <image:caption>The Materialised Temporality of Dust - exhibiting at @arselectronica2024.How can we experience the history of a site from a microbial perspective? The first phase of this project seeks to explore that question through an immersive VR and spatial sound experience, inviting audiences to delve into the RCA’s Kensington Campus through the lens of microbial life. Against the backdrop of a site previously subjected to dust sampling, this project contributes to the concept of the pluriverse—a world of many worlds—by reimagining the campus as a living tapestry shaped by non-human temporalities. The Materialised Temporality of Dust Dr Carolina Ramirez-Figueroa (MX), Antony Nevin (NZ), Campbell Orme (UK), Laura Selby (UK) and Neil Aldridge (NZ)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1690166239891-EQY6ZDNK51JS39ZL69AK/image-asset.jpeg</image:loc>
      <image:title>home - Coil: Sonár+D</image:title>
      <image:caption>1st version of Coil- The out come of residency at the Institute for Research in Biomedicine.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1690164601789-TRDDTSY933VU0ZLG5675/image-asset.jpeg</image:loc>
      <image:title>home - DNA Popsicle Cart: Prague Quadrennial 2023</image:title>
      <image:caption>Exchange what you know about genetics for a popsicle with the nucleotide code of the berries used to make the popsicle printed on the stick.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1690165481756-CT5JJTN5QQWFMIKMWYCJ/image-asset.jpeg</image:loc>
      <image:title>home - DNA Popsicle Cart: Prague Quadriennal 2023</image:title>
      <image:caption>Have a conversation about genetics in exchange for a fruit popsicle with the specific nucleotide of the frozen fruit on it.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1647417798727-NZDSA8TBW8ZILD4U0VBF/image-asset.jpeg</image:loc>
      <image:title>home - Uncanny Valley of Breath</image:title>
      <image:caption>In Uncanny Valley of Breath, artists Carlotta Aoun and Antony Nevin worked with Trinity College researchers Ed Storey and Patrick Cormac English to explore the breakdown in communication between humans and machines that occurs in speech recognition technology. There are countless variations to human speech, from different languages and dialects to regional accents and pronunciation, and virtual assistants like Siri, Alexa, or Google Home often struggle to understand speech that differs from the examples they’ve been trained on. Breath is a key factor in the subtle nuances of language, giving shape to vowels and consonants, cadence and tonality through hundreds of micro-exhalations and inhalations. Yet for a Natural Language Processing AI, breath is a meaningless interruption of data, mere noise or interference. The installation highlights this machine bias by contrasting human and AI-generated speech using video projections of spectrograms (visual representations of audio frequencies that illustrate fluctuations in sound and breath) which trigger walls of PC fans to turn on and off in a way that mimics the sensation of breath and makes the differences between human and machine perception both visible and palpable. While an AI that can’t understand your accent may seem like an amusing inconvenience, when such technology is used to screen job applicants, process insurance claims, or provide telemedicine support, it’s hardly funny.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1620524332582-HMG2A9OG0ZNQ51SICMTU/V26yE1mVRR62ERCI9kHRaQ.jpg</image:loc>
      <image:title>home</image:title>
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    <image:image>
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      <image:title>home - Tangled</image:title>
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    <image:image>
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      <image:title>home - Lightbox 1</image:title>
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      <image:title>home - Ghost</image:title>
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      <image:title>home - Kraken</image:title>
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      <image:title>home - Beluga</image:title>
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      <image:title>home - Light Box 2</image:title>
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      <image:title>home - Lightning Rod</image:title>
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      <image:title>home - LED Zeppelin</image:title>
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      <image:title>Biolumen Lab</image:title>
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      <image:title>Biolumen Lab</image:title>
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    <lastmod>2022-03-17</lastmod>
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      <image:title>Uncanny Valley of Breath - The Uncanny Valley of Breath at BIAS</image:title>
      <image:caption>When we talk to a machine, we don’t provide it with polished packets of information that it can analyse. Instead, we send it a chaotic bundle of vibrating air that must be searched for recognizable patterns. For an AI trained in Natural Language Processing, the way humans breathe when talking is useless – an undecipherable complexity. The Uncanny Valley of Breath strips away all of the processing that machines do to show us the variety in human speech in its most basic form: as a visualisation of frequencies, extracted from our speech, projected onto walls of spinning fans simulating the airflow that generated them. Commissioned by Science Gallery Dublin and created with ADAPT, the Science Foundation Ireland Research Centre for AI Driven Digital Content Technology.</image:caption>
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      <image:title>Uncanny Valley of Breath - The Uncanny Valley of Breath at BIAS</image:title>
      <image:caption>When we talk to a machine, we don’t provide it with polished packets of information that it can analyse. Instead, we send it a chaotic bundle of vibrating air that must be searched for recognizable patterns. For an AI trained in Natural Language Processing, the way humans breathe when talking is useless – an undecipherable complexity. The Uncanny Valley of Breath strips away all of the processing that machines do to show us the variety in human speech in its most basic form: as a visualisation of frequencies, extracted from our speech, projected onto walls of spinning fans simulating the airflow that generated them. Commissioned by Science Gallery Dublin and created with ADAPT, the Science Foundation Ireland Research Centre for AI Driven Digital Content Technology.</image:caption>
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  <url>
    <loc>https://www.antnevin.com/coil</loc>
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    <lastmod>2023-07-29</lastmod>
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      <image:title>Coil - c</image:title>
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  <url>
    <loc>https://www.antnevin.com/the-materialised-temporality-of-dust</loc>
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    <priority>0.75</priority>
    <lastmod>2024-09-10</lastmod>
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      <image:title>The Materialised Temporality of Dust - The Materialised Temporality of Dust</image:title>
      <image:caption>How can we experience the history of a site from a microbial perspective? What does a non-human archive look like? Dust settles—layer upon layer, a quiet, unremarkable presence. But dust is not simply the residue of decay; it is alive, teem with microbial life, a material archive of entangled histories. The Materialised Temporality of Dust invites us to look closer, to see dust not as matter out of place, but as a repository of life—a complex mixture of organic and inorganic matter where the past and future converge in microbial form. Here, microbes do more than persist; they shape the world, recording the intricate interactions of life that have unfolded across time. Through the lens of microbial life, participants are invited to re-experience the Royal College of Art’s Kensington Campus as it stood in the 1960s to present times. But this is not a human-centered history. It is a history told by dust, through the microbial lives that have flourished unnoticed, inhabiting spaces we call "ours." The Materialised Temporality of Dust Dr Carolina Ramirez-Figueroa (MX), Antony Nevin (NZ), Campbell Orme (UK), Laura Selby (UK) and Neil Aldridge (NZ)</image:caption>
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      <image:title>The Materialised Temporality of Dust - The Materialised Temporality of Dust</image:title>
      <image:caption>How can we experience the history of a site from a microbial perspective? What does a non-human archive look like? Dust settles—layer upon layer, a quiet, unremarkable presence. But dust is not simply the residue of decay; it is alive, teem with microbial life, a material archive of entangled histories. The Materialised Temporality of Dust invites us to look closer, to see dust not as matter out of place, but as a repository of life—a complex mixture of organic and inorganic matter where the past and future converge in microbial form. Here, microbes do more than persist; they shape the world, recording the intricate interactions of life that have unfolded across time. Through the lens of microbial life, participants are invited to re-experience the Royal College of Art’s Kensington Campus as it stood in the 1960s to present times. But this is not a human-centered history. It is a history told by dust, through the microbial lives that have flourished unnoticed, inhabiting spaces we call "ours." The Materialised Temporality of Dust Dr Carolina Ramirez-Figueroa (MX), Antony Nevin (NZ), Campbell Orme (UK), Laura Selby (UK) and Neil Aldridge (NZ)</image:caption>
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      <image:title>The Materialised Temporality of Dust</image:title>
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  <url>
    <loc>https://www.antnevin.com/contact</loc>
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    <lastmod>2021-08-27</lastmod>
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  <url>
    <loc>https://www.antnevin.com/about</loc>
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    <priority>0.75</priority>
    <lastmod>2023-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1620527115151-HNJG0HENJRZHQDLFRDC4/DSC_9933_3.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>I work at the intersection of design and living systems. I’m passionate about the role that a scientifically well-educated and curious population can play in addressing 21st-century social, scientific, and cultural challenges. Collaborating with scientists, technologists, and artists, I aim to highlight, demystify, and make accessible living systems that exist on, in, and with humans. Through interdisciplinary creative work,  I explore ways of intervening in, designing, and generating experiences of complexity that communicate human, nonhuman, and more-than-human perspectives and realities. I accomplish this by examining how designing experiences that utilize information can shape our approach to the future. For me, the essence of information lies in its deep structures, which gain significance through our experiences of them. By actively engaging with these underlying systems and embracing their intricacies, I believe we have the potential to foster a more resilient world and strive for a better future. To achieve this, we cannot confine ourselves to a narrow range of thinking and approaches. Instead, we must cultivate fluency in traversing various realms, effectively translating between different domains, and discovering shared foundations across diverse modes of communication and practice. By engaging with systems and acknowledging our own embeddedness within them, I believe we can actively shift our perspectives and contribute to positive change. Furthermore, I am fascinated by the intersection of creative arts and science. I see the creative exploratory energies of scientists as parallel to my own impulses as a creative researcher. Both of us investigate phenomena and interpret them through our unique lenses. I am excited about merging the worldviews of design and science, employing creative technology and scientific visualization techniques in innovative ways to reach new audiences and facilitate the sharing of scientific insights. My creative process involves seeking out the extraordinary within the seemingly commonplace realms of scientific knowledge. I yearn to surpass our usual ways of understanding and explore unconventional avenues. For instance, I am intrigued by the prospect of collaborative work with microorganisms, such as fungi and bacteria, to uncover new possibilities and expand our understanding of the world around us.  What if data was physical? Imagine if sleep was a catching, What if a non human organism has control? In my creative work, I materialize, translate and transform scientific data into physical structures. I observe scientific processes and behaviors through a creative arts, technological and design lens. I’m deeply curious about the glimpses scientists have gained into cellular mutations. How might, for example, the function of stem cells be manifested tangibly and emotionally? My works often have performative aspects. I create the conditions and choreograph some of the behavior but leave space for randomness, happenstance and creativity. Its the cracks that let the light in.</image:caption>
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  <url>
    <loc>https://www.antnevin.com/irb</loc>
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    <lastmod>2020-12-16</lastmod>
    <image:image>
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      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>Drosophillia snoozing in the fridge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1608079539815-YXBDU8I0WV8VMCKH0ZFJ/7b8b7266-26bc-4079-90dc-e628e298d204.jpg</image:loc>
      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>sciencing, getting an experiment ready</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1608079412531-B43MYBKZ9S929G2PEQR4/72e864d5-1280-4e0c-8e4b-4dc59b3ec6dc.jpg</image:loc>
      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>Prof Ernest Giralt explaining peptides and ‘basic science’ to me</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1608079893731-5ZAQMY9Z5RUY11IBYPRW/e1ba0c2c-bfb7-49ff-be53-659705a6fd61.JPG</image:loc>
      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>designers, artists and scientists all spend time observing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1608079683080-EJQ05RBX5YVT4Y4DZHB0/d3cfdb20-8260-4a03-aa4f-fc128837ee62.jpg</image:loc>
      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>stem cells and organoids</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1608080011751-QIA42YETXYBZPEJ7IKRL/image-asset.jpeg</image:loc>
      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>fluorescing Drosophillia larvae</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1608079825073-R3DFQYZ96LCGIWSK0HES/IMG_6474.JPG</image:loc>
      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>understanding pipetting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/596d3aec29687ff5041d48d6/1608079621152-54CYW6D5WELAMKF2ZN5W/6ba209b7-bc73-4028-8668-c711f4ad4976.jpg</image:loc>
      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
      <image:caption>Hello to Drosophilllia</image:caption>
    </image:image>
    <image:image>
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      <image:title>Artist in Residence at the IRB, Barcelona</image:title>
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  </url>
  <url>
    <loc>https://www.antnevin.com/store</loc>
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    <lastmod>2024-11-05</lastmod>
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